However, it does not stop becoming free itself of the fears and of the mercy, it does not stop purificar itself of a dangerous passion as a violent gesture (…) but yes, for being he himself, above of the fear and the mercy, the perpetual joy of the future, that joy that also locks up in itself the joy of destruio’ ‘. (NEH, 78). To be lived life here and a now, and that it is affirmed in its arduous problems, in the affirmation of a life in the pain of the life that clearly was opposed by the Greeks when observing the fullness of the Greek existence of deuses under the radioso flash of the sun. There it is the birth of pain in these homricos men, who to if seeing disabled of an equal existence to the one of the Deuses, instead of being if lamuriando and to turn themselves toward the promise of a future life to say catch them of Sileno: ‘ ‘
Optimum of everything it is total inalcanvel for you: not to have been born, not to be, to be nothing. Optimum later you-dying logo’ ‘. They invert it to for one distinguished ‘ ‘ will of viver’ ‘ changing the ideal of one ‘ ‘ to die logo’ ‘ an ideal to be reached of one ‘ ‘ to die nunca’ ‘. This ideal goes to be looked through music and of the tragedy; he is as soon as the Greek people, one of the species human beings whom more the pleasure for the life had, goes to deal with the proper value its existence. 2. The dionisaca tragedy the tragedy Greek is the teatral sort happened of stages derived from the dedicated cults the Dionsio.Em these cults, triennially, in full winter, a group of bare-footed women and with fast vestments (tiaso) went up high mountains covered of snow to execute frantic runnings and dances (oreibasia) to the sound of flutes and tamborins.
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